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2007 2008 2009
10 captures
21 Dec 2003 - 10 Dec 2008
About this capture

FRANCOISE

No, I don't.

RICHARD

Hey, what's wrong - I'm sorry I wasn't there today. Is that it?

FRANCOISE

I think Sal is attracted to you.

RICHARD

No, I don't think so.

FRANCOISE

On Ko Pha Ngan, did anything happen?

RICHARD

Happen? No, nothing.

FRANCOISE

You promise.

RICHARD

I promise.

FRANCOISE

Good.

They kiss.

RICHARD (V.O.)

Ok, so I lied. It just wasn't the right time.

  1. EXT. HILLTOP. DAY.
  2. Richard sits at the lookout.

    RICHARD (V.O.)

    And the next day, we couldn't meet up either. It was straight back up. Same scene again: no travelers, no boat, no action, nothing. Now I thought if this is going to be a regulra situation, I'm going to have to start hiding from Sal so I don't have to come up here. But a strange thing happened: I began to enjoy it. I looked forward to it, I started to explore.

  1. EXT. HILL. DAY.
  2. From a vantage point, Richard looks down on the lagoon, the beach, the forest, and the clearing.

    With the binoculars he can see the details of life in each of these areas.

  3. EXT. ISLAND SCENES. DAY.
  4. Through the binoculars, various characters are at work or at rest including Francoise, Etienne, Sal, Bugs, Keaty, etc.

    RICHARD (V.O.)

    And then I couldn't understand why I'd never come up before. I got a whole new perspective. They were ants, or rats in an experiment, but up here I wasn't part of it, I was free. I could do whatever I wanted. This was my personal adventure playground. There was even a bunch of local bad guys I could fool around with.

  5. EXT. FOREST NEAR DOPE FIELD. DAY.
  6. Looking through the trees, the four dope farmers (with their guns) are visible about thirty meters away, relaxing and playing cards.

    Richard appears in a tree, hiding from their view, if they cared to look.

    He steals forward to another tree. He watches them.

    RICHARD (V.O.)

    Pretty soon, I was starring in my very own war movie. It was Vietnam 1968, or at least about as close to it as I would ever get, considering I was born in 1973. But I knew exactly who I was: renegade special forces officer on a solo mission, search and destroy. I liked the sound of it "he prefers to work alone," they'd say, "he's got the stare."

    The farmers are oblivious.

    Richard advances as far as he dare: a few meters from them.

    He peers at them around the edge of the tree.

    He notices that the one nearest has left a knife on the ground.

    Richard lifts a stone and throws it high in the air beyond the farmers.

    As it falls through the trees to the forest floor the farmers are startled. They stand and turn away towards the noise reaching for their guns, cocking them, etc.

    The knife is taken by Richard.

    The farmers see a bird fly from a tree. Satisfied, they give up and return to their resting place.

    Richard steals away from tree to tree.

    The farmer cannot understand where his knife has gone.

  7. EXT. FOREST. DAY
  8. Richard sits in a hollow under a rough shelter he as made from palm leaves.

    He is using the knife to gut a bird of some sort which he then eats raw.

    RICHARD (V.O.)

    I hadn't entirely forgotten my purpose up here, but I wasn't worried about it. I mean I didn't want one of those bastards turning up with my map sticking out of his pocket, but if they did, it was going to be a challenge. It was a mission, my mission, to defend our island.

  9. EXT. HILLTOP. DAY.
  10. Richard watches the empty beach.

    RICHARD (V.O.)

    The only hitch was - the enemy didn't show up. Now it was probably a mistake, but I one day I brought Francoise up. I thought I'd show her around.

  11. EXT. FOREST. DAY
  12. Richard struggles through dense undergrowth, followed by Francoise.

    RICHARD

    Come on, just through here. Watch out for the thorns. Here: look.

    Beneath a tree, a few rotting logs are topped off with palm leaves.

    RICHARD

    (continuing)

    Well, what do you think?

    FRANCOISE

    What is it?

    RICHARD

    It's a shelter. I built it. I thought we could move up here. Get away from it all.

    FRANCOISE

    We?

    RICHARD

    Yeah. You'll need to tell Etienne, of course but -

    FRANCOISE

    Richard, it's horrible.

    RICHARD

    Primitive, yes, but you have to accept some limitation when you go for seclusion like this.

    FRANCOISE

    And to eat?

    RICHARD

    Whatever I kill, we'll eat.

    Francoise laughs.

    FRANCOISE

    Enjoy yourself, Richard. I'll see you later, back in civilizatin.

    RICHARD

    Do you want a mushroom?

    FRANCOISE

    What?

    RICHARD

    They grow here, all over the place. I picked some. Here.

    Richard collects a handful from under the shelter.

    Francoise does not think this is funny.

    FRANCOISE

    No thanks.

    RICHARD

    Please yourself.

    He swallows one.

    Francoise turns away. She struggles back through the undergrowth.

    Richard watches her. He swallows a handful of mushrooms.

  13. EXT. FOREST. DAY.
  14. Close up: a caterpillar crawls along a green leaf.

    Richard, his pupils dilated, is watching, transfixed.

    He holds the knife at the end of the leaf.

    The caterpillar crawls on to the blade.

    Richard sticks his tongue out and swivels the blade around.

    The caterpillar crawls on to his tongue.

    Richard gently closes his mouth.

    He swallows.

    RICHARD (V.O.)

    When you're a highly trained combat machine, you can't allow yourself to be distracted by minor problems in your personal life. And you can't sit around, you have to stay active, otherwise your energy will dissipate. You have to feed the fear.

  15. EXT. FOREST. NIGHT/DAWN.
  16. Richard, his face disrupted by mud, sneaks towards the rough shelter of wooden planks and palm leaves under which the four farmers are sleeping.

  17. INT. EXT. SHELTER. NIGHT/DAWN.
  18. The shelter is several meters long but shallow and is open down the length of one side.

    This is the farmers' home on the island.

    It contains a collection of tools, arms, crates, bedding, food, cigarettes, and bottles of cheap whiskey.

    Spaced out within the shelter, the four farmers are asleep on low pallets or mats on the ground, each with their gun by their side.

    Richard enters the shelter and surveys the scene.

    He approaches the nearest farmer who lies asleep. He is wearing a bandana which has slipped half off in his sleep.

    Very slowly, Richard reaches down and lifts the farmer's gun, a Kalashnikov-type assult rifle.

    Richard holds the weapon, becoming comfortable with it.

    He lifts the butt to his shoulder and squints down the sight.

    He closes in on the farmer, so close that the muzzle is almost tickling the farmer's nose.

    In his sleep, the farmer swats at his nose as he might swat at a fly. Richard withdraws the gun a fraction.

    His finger strokes the trigger.

    He moves very carefully around the shelter, pointing the gun at each sleeping farmer and mouthing "bang" as he goes.

    He returns to the first farmer and kneels beside him.

    The farmer is on his side, facing away from Richard. He stirs in his sleep and wakes slightly.

    He reaches out behind him to feel for his gun. His hand feels the metal. He relaxes and closes his eyes again.

    Behind him, Richard smiles and releases his own grip on the gun.

    Instead he lifts the bandana away from the farmer's head and puts it on his own.

    Now he produces the knife from the back of his shorts.

    He kneels beside the farmer and holds the knife firmly.

    Abruptly he stabs it into the upright wooden plank behind the farmer's head.

    The blade sinks deep into the wood.

  19. EXT. WATERFALL. DAY.
  20. Richard screams as he executes an exhibition dive from the top of the waterfall to the pool below.

  21. EXT. BEACH. DAY.
  22. There is no one on the beach apart from Richard.

    He walks to the water and dives in.

    He surfaces and faces the sun.

    RICHARD (V.O.)

    I was ecstatic. In a fair contest I had infiltrated their command and left my mark. I had fulfilled my potential as a warrior, a soldier, a killer on the loose. I could just imagine them trying to work how the missing knife got home.

    Christo, Sten, and Karl appear walking down the beach with their fishing gear as Richard walks in from the water.

    RICHARD

    Hi, guys.

    CHRISTO

    Hello Richard.

    RICHARD (V.O.)

    I couldn't wait to tell Francoise about it.

  23. EXT. FOREST. DAY.
  24. Richard's face is slapped twice by Francoise's hand.

    They are standing in a small clearing not far from the longhouse.

    Francoise raises her hand to slap him again. He retreats a fraction.

    RICHARD

    Do you want to calm down? I'm trying to tell you about something exciting. I'm trying to share it with you and all you can do is freak out because you don't like where I want to live.

    FRANCOISE

    I don't care about that.

    RICHARD

    No? Still pissed about the mushrooms. You know Francoise, sometimes you are so uptight.

    FRANCOISE

    You liked to me. About Sal.

    RICHARD

    Oh, that. She told you?

    FRANCOISE

    She told everyone. She believes in openness and honesty, not like you.

    RICHARD

    Come on, you were two-timing Etienne.

    FRANCOISE

    Because I liked you. I didn't know you were going to screw Sal twenty-four hours later.

    RICHARD

    Well if you're going to make such a big deal out of it -

    FRANCOISE

    Bugs is going to kill you. And you know what - I don't care.

    She raises her hand and slaps him again.

    Richard does not flinch.

  25. INT. LONGHOUSE. DAY.
  26. Richard enters the longhouse.

    Inside are several people, including Bugs, sitting at the far end.

    When they see that it is Richard, all conversation stops.

    One by one at first, then en masse, everyone except Bugs leaves the longhouse, hurrying past Richard at the door.

    Richard and Bugs stare at each other down the length of the longhouse.

    Richard smiles. He repeats the gesture that he made when returning with the rice: he clutches his groin and thrusts towards Bugs.

    Bugs starts running towards Richard.

    Just as Bugs reaches him he takes evasive action, feinting to one side.

    Bugs, cursing, pursues Richard around the longhouse, each of them trampling over possessions and partitions. Bugs is bigger but Richard is too sly and nimble for him, taunting and mocking as he dodges around the narrow upright supports that run down the middle of the building.

    Eventually Bugs has Richard cornered.

    They face each other, crouched slightly, breathing heavily.

    From outside a loud, horrified screaming begins.

    It carries on and on.

    RICHARD

    Don't you think we ought to go see what the problem is?

    Bugs pauses for a moment. He glances towards the door for a fraction of a second.

    Richard slugs him in the jaw.

  27. EXT. CLEARING. DAY.
  28. Richard emerges from the longhouse, flexing the fingers of his punching hand.

    A crowd has gathered as he joins it.

    At the center are Karl, on his knees, wailing and shouting in Swedish, and Sten, who has been savaged by a shark and looks dead. Despite his appearance, Keaty and Gregorio are attempting to resuscitate him.

    RICHARD (V.O.)

    Poor Karl: he didn't speak much English, but he only needed one word.

    KARL

    Shark! Shark!

    RICHARD (V.O.)

    They were trying to save Sten's life although even as a novice in this field I could tell that just wasn't going to happen.

    Richard backs away.

  29. EXT. BEACH. DAY.
  30. Richard walks along the shore and begins to follow a bloodstained furrow in the sand.

    RICHARD (V.O.)

    The way I saw it, sharks live in the sea, so if you go swimming where they live, they might eat you. That's what sharks are good at, that's what they do. I could have explained this to Christo but I just knew he wouldn't see it.

    Richard is standing over Christo who is lying in agony on the sand.

    CHRISTO

    Richard! My foot. My foot! It's so painful. My foot!

    Richard looks at Christo's right leg: it has been bitten off beneath the knee, leaving only a ragged bloody stump.

    RICHARD

    Yeah, your foot - it's - pretty bad.

    Christo clings to him.

    CHRISTO

    But it will be ok? Please Richard, when I get to the hospital?

    RICHARD

    Hospital?

    CHRISTO

    Tell me - it will be ok.

    RICHARD

    Yeah. Sure. Christo, it'll be ok.

  31. EXT. GRAVE STIE. DAY.
  32. A freshly dug grave in sandy soil about 1.5 meters deep.

    The corpse (Sten) in a sleeping bag is slung into the grave, its feet protruding from the end.

    Immediately, the earth starts to be filled in from either side.

    KEATY (O.S.)

    We are gathered here today to pay our last respects to Sten. I couldn't claim to know the bloke all that well but what I knew, I liked. He was a straightforward, easy to get along with, reliable sort of guy. He worked hard for the whole community - he even lost his life fishing for us.

    Keaty is addressing the entire community beside the grave while earth is heaped on.

    KEATY

    He made an effort to join in whatever was going on. For example, he played cricket with an aptitude and enthusiasm that belied his Nordic origins, and I think we can see that as a symbolic ofhis place amongst us in a wider sense. Anyway, he wasn't one for long speeches, and neither am I. May God take you soul, and you shall rest forever in peace mate. We'll miss you.

    Keaty holds back a tear as he throws a flower in the grave.

    Others throw flowers in.

    Bugs hammers a wooden cross into the ground behind the grave.

  33. INT. LONGHOUSE. DAY.
  34. Christo is being nursed by Etienne who is mopping his brow, trying to get him to drink etc.

    Several people are sitting around, inactive and silent.

    Christo moans. A couple of people get up and leave.

    RICHARD (V.O.)

    After the funeral we all tried to get back to normal, but it just didn't seem right. After a while it became clear that the problem was Christo. You see, in a shark attack, or any other major tragedy I guess, the important thing is to get eaten and die, in which case there's a funeral and someone makes a speech and everyone cries and says what a good guy you were, or: get better in which case everyone can forget about it. It's the hanging around in between that really pisses people off.

  35. EXT. FOREST. DAY.
  36. Etienne is backing through the forest. Outraged.

    ETIENNE

    This is disgusting! You cannot do this! Take him back!

    A party of stretcher bearers, including Bugs, Sal, and Keaty, carry Christo through the forest. Sal is carrying a small rolled up tent. Richard walks behind.

    SAL

    Ok, that's far enough.

    They lower Christo to the ground.

    ETIENNE

    Take him back, you fucking animals!

    Sal drops the tent at Etienne's feet.

    The part walks away apart from Richard

    ETIENNE

    (continuing)

    Fucking bastards!

  37. INT. SMALL TENT. DAY.
  38. Christo, delirious, is being nursed by Etienne in the small tent, now situated in the middle of the forest.

    Richard is with him.

    RICHARD

    It's not that they don't care, Etienne, it's just that they don't care in the same way as you do. It's a fine distinction, I know.

    ETIENNE

    I understand: they wish he was dead.

    RICHARD

    No! they've be equally happy if he recovered. They just want an outcome.

    ETIENNE

    He needs a doctor.

    RICHARD

    You worked in a hospital.

    ETIENNE

    For one month, as a cleaner, a domestic.

    RICHARD

    Well that's one month longer than anyone else around here. Look, you're doing your best for the guy. No one could ask for more. Everyone apprecaites that.

    ETIENNE

    Look, Richard!

    Etienne draws back the sheet covering Christo's discolored stump.

    Richard recoils.

    RICHARD

    Jesus!

    ETIENNE

    It's gangrene. It's spreading. He needs an amputation.

    Etienne produces a knife from his possessions.

    RICHARD

    You're going to do it here?

    ETIENNE

    Where else?

    RICHARD

    OK! I'll hold him still.

    Etienne prepares to proceed, but at the last moment he cannot.

    He drops the knife

    Richard relaxes.

  1. EXT. BEACH. DAY.
  2. People are playing and relaxing on the beach and in the water, shouting and swimming.

    RICHARD (V.O.)

    It would be a lot easier to condemn our behavior if it hadn't been so effective, but out of sight really was out of mind. The bad smell was gone - it was like we had amputated Christo from our community and after the operation was over, we felt a whole lot better.

    UNDERWATER. DAY.

    In water one meter deep, moving forward with a smooth side-to-side action, the POV of some underwater creature.

    Small fish scatter ahead of it.

    Suddenly a pair of legs come into view: they are Francoise'.

    Close right in on them at speed.

  3. EXT. SEA. DAY.
  4. Francoise screams as Richard surfaces beside her, laughing.

    FRANCOISE

    Richard!

    RICHARD

    Just when you thought it was safe to go back in the water.

    FRANCOISE

    That's not funny.

    RICHARD

    Hey, relax, just a joke. What's wrong with you?

    FRANCOISE

    No, what's wrong with you? Why didn't you stop them moving Christo?

    RICHARD

    Francoise I just thought we ought to spend some time together. We haven't had a chance to talk, and let's face it, it's going to be a lot easier for us to do that if Etienne isn't hanging around the longhouse.

    FRANCOISE

    I don't believe it. You really think it was alright to move him.

    RICHARD

    He was getting everyone down.

    FRANCOISE

    I don't know what has happened to you, Richard.

    RICHARD

    I like it here! That's what happened! So what's the problem?

    Francoise turns and walks away.

    Richard calls after her sarcastically.

    RICHARD

    (continuing)

    We do still have something going don't we?

    She does not reply.

    RICHARD (V.O.)

    So, it seemed that Francoise and I were finished. Under other circumstances I might have got depressed about a think like that, but I had something else to occupy my mind.

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