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About this capture | ||||||||||||||
Everyone is asleep. Track along past the sleeping forms to stop at Richard.
The figure looking down at him is Sal.
Sal and Richard are walking away from the longhouse in the early morning light. Sal has a small parcel of cannabis wrapped up in a plastic bag.
RICHARD
Why are we leaving so early.
SAL
If you hang around, people take advantage of you, give you orders for all sorts of shit - clothes, condoms, Vegemite and God knows what else.
RICHARD
Right.
SAL
We go to Ko Pha Ngan, sell the dope, buy the rice, and come back. That's all.
Sal walks into the water and begins swimming out towards the cliff.
Richard watches then dives into the water.
Sal waits for Richard as he catches up with her at the base of the cliffs inside the lagoon.
RICHARD
Over?
SAL
Under.
RICHARD
Anything I should know?
SAL
Don't breathe till you get to the other side.
Sal submerges.
Richard watches her disappear into an underwater tunnel into the rock.
He takes a deep breath.,
UNDERWATER. DAY.
Richard enters the tunnel, passing from the light into the dark.
He enters near total darkness.
Far ahead is a narrow point of dim light.
He swims towards it.
Richard surfaces, breathing deeply. He is in a cave within the cliffs, from which a small entrance opens on to the sea beyond.
Within the cave is a large flat rock and moored beside that is a small narrow boat with an outboard motor.
The ceiling of the cave is high and opening into it is a chimney (which will be in use later). Additional light enters through this.
As Richard surfaces, Sal is already in the boat.
SAL
Welcome to the garage.
She pulls the start cord. The small engine's loud roar reverberates around the stone walls.
The small boat emerges from the cave on to the sea, Richard at the front and Sal at the helm.
By the light of the moon, they come to land on a deserted stretch of beach. Richard jumps into the shallows as Sal cuts the engine.
Lights dance in the sky some distance away.
Sal and Richard drag and shove the boat up the beach.
The full moon shines brightly. The insistent beat of dance music is heard.
RICHARD (V.O.)
All the way I was sort of looking forward to the party, but when we actually got there -
The street is lined with bars each pumping out western music on its own sound system.
Richard and Sal walk along the strip.
They turn towards a bungalow complex. Sal is still carrying the parcel of dope.
RICHARD (V.O.)
- I couldn't be bothered. It all seemed kind of trashy and out of place. This was why we kept the secret. If these assholes ever found out about our island they'd take just one night to spoil it forever.
The reception area is covered by an awning. An old warped pool table stands in the center. Sal and the receptionist, SUMET, greet each other and speak in Thai. There are no subtitles but when they discus sthe number of rooms they indicate with their fingers: this is not seen by Richard.
SAL
Good evening.
SUMET
Good evening, how are you?
SAL
Very well, thank you.
SUMET
You brought something?
SAL
As always.
Sal puts the parcel on the desk. Sumet weighs it in her hand.
SUMET
Good.
SAL
We'd like to stay one night.
SUMET
Two rooms?
SAL
One.
Sumet looks at Richard.
SUMET
A good choice. Young and strong.
She squeezes his arm and laughs.
SAL
She says she's got two rooms. No problem.
RICHARD
Great.
Richard is in one of a line of booths in an international call office/general tourist store.
RICHARD
I don't know. I just don't know. Maybe this year, maybe not. I like it here. Things are different out here.
RICHARD (V.O.)
I phoned home and discovered that I couldn't communicate. I realized that I was no longer the person they knew.
RICHARD
You don't understand.
He hangs up.
He steps out of the booth. On the other side of the store are racks of patterned shirts and hats.
Richard walks across and stares just beyond them.
He is looking in a mirror, at himself, tanned and weathere-beaten.
Richard browses, selecting the items on his list, then spending time choosing soap, eventually opting for a brand marked "Genuine French Soap".
RICHARD (V.O.)
In fact the more I thought about it the more I realized that none of this world made any sense to me. I'd left it behind. We all had, and in its place we'd found somewhere special, and we were determined to keep it that way.
He drops the "French" soap in his basket.
The music is far away now. Richard and Sal struggle along the deserted beach to their boat carrying a pallet laden with sacks of rice.
They arrive and drop the pallet.
RICHARD
Now I understand why no one wants to come for the rice.
INT/ EXT. BAR. NIGHT.
The bar opens out to a street just back from the beach. It is busy.
Sal and Richard stand at the bar with their drinks.
SAL
So how does it feel to be back in the world?
RICHARD
It's not like I remembered it.
SAL
It gets worse every time.
A hand rests on Richard's shoulder, gently pushing him aside to create space at the bar. It is Zeph.
ZEPH
Excuse me, please.
He does not see Richard's face but concentrates on the barman.
Richard recognizes him and conceals his face.
ZEPH
(continuing)
Excuse me! Four beers please. Heinneken.
The barman serves him.
Sammy and two German girls stand behind Zeph. He passes the drink back to them and turns to speak.
Richard and Sal listen in.
ZEPH
(Continuing)
OK, where was I?
SAMMY
The beach.
ZEPH
Right, the beach: it's on this secret island, in the middle of the national park where no one is allowed to go. It's paradise.
GIRL 1
Sounds cool.
ZEPH
What's even better is we got the map of how to get there.
GIRL 1
Can we see it?
SAMMY
Sure. Let's go back to our place. We can smoke some dope, drink some beer, loosen off these tight clothes we're wearing, then check out the map.
ZEPH
But hey it's secret - if we show you the map, you have to come with us.
They laugh. Zeph and Sammy high-five each other.
ZEPH
(continuing)
Back in a minute. Just going to conduct a recon of the local sanitation facility.
Richard watches him leave the bar.
The toilet is a narrow concrete passage with a ditch along the bottom on one side. There is no roof but a single light above.
Zeph is just finishing as he notices Richard.
ZEPH
Hey, Richard! I hardly fucking recognize you. Where have you been? The beach? Tell me - it's paradise.
RICHARD
There is no beach.
ZEPH
What?
RICHARD
The map is wrong.
ZEPH
You've been?
RICHARD
No. it's dangerous.
ZEPH
Danger - hey, you're calling my middle name. What kind of danger?
RICHARD
Doesn't matter.
ZEPH
I think you're trying to put me off.
RICHARD
I'm just telling you, for your own good: stay away. Don't go. Don't even try. Just forget it.
ZEPH
We'll do whatever we want.
He goes to leave. Richard places a hand on his chest. They stop for a moment. Zeph pushes the hand away.
ZEPH
(continuing)
Fuck you.
Zeph walks past then turns back.
ZEPH
(continuing)
Stay away from the mushrooms, Richard, they make you paranoid.
Richard and Sal are climbing the steps towards the bungalow reception.
SAL
That idiot Daffy? What was he doing - handing out Xerox copies to every asshole in Thailand?
RICHARD
Yeah, it's unbelievable.
SAL
Why? That's all I want to know. Why?
RICHARD
I don't know, Sal.
SAL
Pardon me for this, but thank Christ he's dead.
Richard and Sal enter from the steps. Behind them the party is still in progress.
Sal approaches the desk while Richard hangs back.
She greets Sumet who hands over one key.
SAL
Bad news.
RICHARD
What?
SAL
She gave away your room. She thought we were - you know - together. Sorry.
RICHARD
Right. Great. Well I'll go find somewhere else then. I'll meet you back here in the morning.
SAL
Richard.
She shows him the key for the room.
They look at each other.
SAL
(continuing)
I'm going to play a couple of games of pool with Sumet.
She throws the key. He catches.
SAL
(continuing)
Why don't you go warm the bed?
The room is in darkness. Moonlight penetrates the threadbare curtain. The bed is surrounded by a mosquito net.
The music from the beach party is audible.
Just visible through the net is the outline of two human forms entwined.
Lizards scuttle across the small porch.
Surrounded by a wall of mosquito net, Richard and Sal lie on the bed.
Sal lies on her side falling asleep. Richard is awake.
RICHARD
Sal.
SAL
Uh-huh.
RICHARD
Can I ask you a question?
SAL
It was great.
RICHARD
No, it's not that. I just wondered about Bugs. And me.
Sal rouses herself.
SAL
OK, it's like this. Bugs is my boyfriend, my partner, and you, you're someone I just screwed. Is that ok?
She turns on her side again.
RICHARD
That's fine. That's absolutely fine.
SAL
Good, now get some sleep - I may wish to have sex again before we eat breakfast.
Richard and Sal push the boat into the water and away from the beach, jumping on board as they do so.
Richard and Sal approach the outer cliffs of the sea-wall in the boat. Richard looks up.
Bugs is standing at the top of the cliff, directly above the cave.
The sacks of rice are now contained in a net being hauled upwards on a rope towards and into the chimney which rises out of the ceiling.
Sal swims away into the tunnel.
Bugs and Keaty haul the rice up with the aid of a block and tackle.
Richard is alone as he looks up the chimney and watches the cargo disappear the last few feet to the top of the cliff.
As it reaches the top it is swung aside and Bugs looks down.
Richard and Bugs stare at each other down the length of the chimney.
Richard casually clutches his groin and thrusts once.
RICHARD (V.O.)
Screwing Sal was pretty good but screwing Bugs - that was even better.
The longhouse is full of inhabitants.
Richard walks the length of the hut like Santa Claus despensing toiletries and other gifts as requested.
He reaches Francoise alone at the end of the hut.
He gives her the "French" soap.
RICHARD
For you.
FRANCOISE
I missed you.
RICHARD
I'm back.
FRANCOISE
What was it like?
RICHARD
The rice run? No problem.
FARNCOISE
I mean being with Sal?
RICHARD
Oh�fine. Listen, do you want to go to the beach?
FRANCOISE
I can't. Meet me tomorrow morning. Ten o'clock at the waterfall.
She touches him as she walks away.
RICHARD (V.O.)
I didn�t' feel as bad as I should have about all this. In fact I didn't really feel bad at all. What happened on Ko Pha Ngan was different, it didn't count.
Richard is on his way to the waterfall.
RICHARD (V.O.)
And I was glad to be back. Now I really did understand why no one wanted to go for the rice. Life here was so good that going back to the world we came from could only bring you down.
He reaches the area by the waterfall and stands waiting. He looks around for Francoise: no sign. He checks his watch: a few minutes to ten.
SAL (O.S.)
Hi there, Richard.
Richard turns to see Sal, who has appeared as though from nowhere.
RICHARD
Oh, Sal. Hi.
SAL
Hi? Is that all you can say? I thought we had a little more rapport than that.
RICHARD
I mean, hello, nice to see you. What brings you here.
SAL
I was looking for you.
RICHARD
Oh. Well, here I am.
SAL
I have to go somewhere. I'd like you to accompany me.
Richard checks his watch.
RICHARD
Right now? It's not really all that convenient, Sal.
SAL
I'm sorry. Are you meeting someone?
RICHARD
Me? No.
SAL
You sure?
RICHARD
Yes.
SAL
Good. So, you can come with me.
�
(Unfortunately the copy of the script is now missing a page.)
�
SAL
If they reach the island, I want you to discourage them from getting any further.
RICHARD
"Discourage."
SAL
You'll think of something, Richard. I trust you.
Sal kisses him on the cheak and leaves.
Richard watches her go.
RICHARD
Sal! How long do I - Sal!
She does not turn around.
Richard turns back towards the other island.
He focuses the binoculars.
The empty beach on the other island.
Richard is not pleased.
Richard and Francoise are sitting in the shadows.
RICHARD
She didn't tell me how long I was supposed to wait or anything. You know what she's like, she just gets you to do things.
FRANCOISE
What kind of things?
RICHARD
Just things, you know.